A building is not a place to be; it is a way to be.“ Frank Lloyd Wright
In the cross over between two centuries emerged an architect sensitive to the changes from hand craft to mass production. Frank Lloyd Wright (1867-1959) opened single rooms to a flow of space between rooms and retained the idea of enclosure and protection while offering great views out into the sky and land. He was a rare architect celebrating new relationships between the built and natural worlds. A key contributor from the Art Nouveau and Arts and Crafts era, Wright’s 70-year career was prolific resulting in over 1000 designs of which over 400 are still standing. He lived and designed in the 19th and 20th centuries which saw the world move from the Civil War into the Space Age. Frank Lloyd Wright’s "Prairie style” derives its imagery from the Midwestern prairie . Low flowing horizons of grasses asked for an architectural response. He designed houses specific to the places developed. Interior spaces flowed while the outside mass and formed stepped down and opened up to the horizon. Wright controlled the site, house, interiors, windows, lighting, furniture, textiles and murals to establish the horizontal as a line of repose and shelter while allowing for great prospect or view. The Robie House in Hyde Park in Chicago is considered the pinnacle of Wright’s Prairie House ideals.
Activity 1 – Prairie Patterns
“Whether people are fully conscious of this or not, they actually derive countenance and sustenance from the ‘atmosphere’ of the things they live in or with. They are rooted in them just as a plant is in the soil in which it is planted.” FLW
Wright believed in looking carefully at nature. He used geometric and natural patterns in design of textiles, stained glass windows, tapestries, and carpets. Research and find three different pattern designs by FL Wright. Imagine what inspired them. Draw them. Then use one set of organized images to structure a stained glass window! Use one set for a tapestry pattern. Use the third convention to imagine a carpet. Use water color, acetate, tissue paper, colored pencils to color in individual pieces. Become a prairie pattern observer and creator!
Activity 2 – Prairie Interiors: Prospect & Refuge
Wright grew up in the rolling hills of Wisconsin countryside. The landscape and sky became his drawing board and the beauty of its trees, grasses, plants and flowers became part of his visual sensibility. Wright actively created a vision for American Architecture that would be part of the land and site. He envisioned placing spaces in direct relationship with the beauties of the site- views, streams, water, hillsides. He envisioned structures built from local, native materials that would appear to grow from the ground. Discovering a new kind of spatial flow between functional activities, Wright conceived of Prairie Architecture as a natural and easy compression and expansion of a walk in nature. Draw a Victorian House Plan and then a Prairie open plan side by side. Overlay the floor plans with a graphic of fluid space, room by room, or connecting spaces in a new organic space flow!
Experience Refuge! Enjoy prospect!
Activity 3 – Prairie Public, Private and Nature
Research Frank Lloyd Wright Prairie homes. Choose two different designs. Copy the floor plans. Color the areas (rooms) that are private on one drawing, public on the other and dot in adjacent and viewable nature areas on the third. See how people can socialize in groups or individually while communing with nature.
Activity 4 – Prairie Principles: People & Nature
Take a look at the Robie House. Draw its plan and locate and label Wright’s seven points of Prairie Architecture.
1. Hidden Entry
2. Hearth at the center
3. Overhanging eaves
4. Sets of 3, 5, and 7 Ribbon Windows
5. Cascading levels
5. Transition Spaces from Inside to Outside
6. Diagonal Entry to Spaces
7. Flow of Interior Volumes
Activity 5 – Prairie Interiors: Refuge and Prospect
Prairie homes are low and horizontal. Their overhanging roofs parallel the horizon of the local landscape. Entering a Prairie House, one is often ‘compressed’ or secured in a very human-scaled entry. This entry is meant to make one feel safe as he or she enters the home as a place of 'refuge’ or security. The lower ceiling areas warmed by massive hearths set around fireplaces pull one’s focus internally. These spaces are comfortable. In addition, Wright designed other living spaces that had higher ceilings and extensive views out into the landscape. Take a look again at Wright’s Robie House or Ward Willets House. Look closely at the floor plans and find a space that feels protected. Draw a one-point perspective of the room rendering the walls. Next find an expanse that looks out through wide windows or out onto terraces, prospecting the world at large. Draw a one-point interior of this room and compare the two interiors.
- 2D Geometry
- 3D Geometry
- Art Nouveau
- Building Types
- De Stijl
- Digital Modeling
- Facade Elements
- Housing Styles
- Modern Architecture
- Music and Architecture
- Natural Light
- Nature Patterns
- Site Analysis
- Site Programming